China Nights and Manchurian Dreams: Pan-Asianism in the Shiki Theater Company's Showa Trilogy
Individual author or multiple authors
Individual
Major
Japanese (JAPN)
Category of Work
Comps
Additional Category of Work
Prizes/Awards
Degree
Bachelor of Arts
Class Year
2010
Department or Program
Asian Languages and Literatures
Comps Adviser(s)
Tomonari, Noboru; Heitzman, Kendall
Special Recognition
Distinction on comps
Identifier (Includes All Files and Enter All Their Files Name)
burkharl_2010_JAPN.pdf
Keywords
musical theater, world war ii, japan, shiki theater company, gekidanshiki, showa trilogy, showa no rekishi sanbusaku, ri koran, pan-asianism, national identity, wartime propaganda
Access
Access restricted to Carleton College faculty or their designees and staff of Institutional Research & Assessment, access controlled by Carleton username and password.
Student Work Completed Date
2010-05-21
Format
application/pdf
Files Uploaded
Text (paper)
Rights Management
Student author/s retain copyright to this work. Through online submission process, author/s granted Carleton College the non-exclusive rights to preserve this work as part of Carleton's academic history and to use it for teaching purposes and/or institutional research and assessment.
