Benjamin Britten's Fuga and Ciaccona From Second Suite for Unaccompanied Cello Op.80 Two examples of a twentieth century composer's use of Baroque compositional forms
Individual author or multiple authors
Individual
Major
Music (MUSC)
Category of Work
Comps
Additional Category of Work
None
Degree
Bachelor of Arts
Class Year
2011
Department or Program
Music
Identifier (Includes All Files and Enter All Their Files Name)
Hopped_2011_MUSC.pdf
Keywords
Analysis of Britten's pieces for solo cello
Student Work Completed Date
2011-01-21
Format
application/pdf
Files Uploaded
Text (paper)
Rights Management
Student author/s retain copyright to this work. Through online submission process, author/s granted Carleton College the non-exclusive rights to preserve this work as part of Carleton's academic history and to use it for teaching purposes and/or institutional research and assessment.
