Comps, honors papers, and prize-winning works of the Cinema and Media Studies Department are featured here. All works have been self-submitted by the student authors. Descriptive information about each work is available to search or browse. Access to the full text of the works is limited to current Carleton affiliates with faculty permission. Learn more about how to submit your work and how to request access to the full text of works.

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Submissions from 2024

Victoria Aguado, Cinema and Media Studies (CAMS) 2024, Muggins

Mauricio Badillo, Cinema and Media Studies (CAMS) 2024, Bardo

Adrian Balvuena, Cinema and Media Studies (CAMS) 2024, BOYS IN THE SUN

Esmeralda Bessor-Foreman, Cinema and Media Studies (CAMS) 2024, Late Shift

Nathan A. Campbell, Cinema and Media Studies (CAMS) 2024, Rush Week

Martín Escutia, Cinema and Media Studies (CAMS) 2024, Deeper Conversation

Josh Grossman, Cinema and Media Studies (CAMS) 2024, Sexuality and Perversion in Sion Sono's "Antiporno"

Adam Kamp, Cinema and Media Studies (CAMS) 2024, Gender, Labor, and Futurity: Imagining New Paradigms In The Apocalypse

Chris Knapp, Cinema and Media Studies (CAMS) 2024, A Brief Journey Through 3D and Its Many Pairs of Glasses - Then, and Now

Marko Stojanovic, Cinema and Media Studies (CAMS) 2024, Scout's Pride

Peter Tu, Cinema and Media Studies (CAMS) 2024, Follow

Eli Venetis, Cinema and Media Studies (CAMS) 2024, Forgotten Beauty

An Vong, Cinema and Media Studies (CAMS) 2024, Home for the Holiday

Submissions from 2023

James Bice, Cinema and Media Studies (CAMS) 2023, 3 Phone Calls

Emma Burke, Cinema and Media Studies (CAMS) 2023, Virtue/Vice

Isaac Crown, Cinema and Media Studies (CAMS) 2023, Who is living in my father's house?

David Espinoza, Cinema and Media Studies (CAMS) 2023, Mi Vecina, La Llorona

Molly Furlong, Cinema and Media Studies (CAMS) 2023, Stupid Little Place

Yumo Lu, Cinema and Media Studies (CAMS) 2023, Where Does the Train Go?

Astrid Malter, Cinema and Media Studies (CAMS) 2023, The Sixth Borough

Nicole Marsh, Cinema and Media Studies (CAMS) 2023, Striking Out

Nadia McPherson, Cinema and Media Studies (CAMS) 2023, Deconstructing Nostalgic Configurations of Home: The German (Anti)Heimat Film

Scout Riley, Cinema and Media Studies (CAMS) 2023, Valley Fever

Jackson Stinebaugh, Cinema and Media Studies (CAMS) 2023, Memorial

Bahar Tas, Cinema and Media Studies (CAMS) 2023, A La Turca

Kelsea Turner, Cinema and Media Studies (CAMS) 2023, WILD Pilot

Caroline Tyree, Cinema and Media Studies (CAMS) 2023, Happy For Now: A New Cycle of the American Romantic Comedy Film

Submissions from 2022

Hank Aldridge, Cinema and Media Studies (CAMS) 2022, Terrytop Hill

Isabel Anderson, Cinema and Media Studies (CAMS) 2022, Grief Group

Ephraim Benson, Cinema and Media Studies (CAMS) 2022, Deadbeat

Lucy Cui, Cinema and Media Studies (CAMS) 2022, Paper Ring

Keyra English, Cinema and Media Studies (CAMS) 2022, Keep Walking

Jude Furlong, Cinema and Media Studies (CAMS) 2022, Changing Faces

Grace Hague and Ceile Kronick, Cinema and Media Studies (CAMS) 2022, SCREWED

Noah Hanson, Cinema and Media Studies (CAMS) 2022, The Vanifar

Manjari Majumdar, Cinema and Media Studies (CAMS) 2022, Bike Dream

Brooke McKelvey, Cinema and Media Studies (CAMS) 2022, Roots

Christopher McTaggart, Cinema and Media Studies (CAMS) 2022, Sardines

Arya Misra, Cinema and Media Studies (CAMS) 2022, I HOPE YOU REMEMBER THIS MOMENT

Folasade Orepo, Cinema and Media Studies (CAMS) 2022, Rhythm Of Life

Salvador Vega, Cinema and Media Studies (CAMS) 2022, Currents

Sarah Westrich, Cinema and Media Studies (CAMS) 2022, Stories Untold

Submissions from 2021

Louisa Ballinger, Cinema and Media Studies (CAMS) 2021, "Tetherball" Pilot

Victor Garcia, Cinema and Media Studies (CAMS) 2021, Agua de Limón

Brooke McKelvey, Cinema and Media Studies (CAMS) 2022, Wanted

Reese McMillan, Cinema and Media Studies (CAMS) 2021, Pending

Charlotte Rew, Cinema and Media Studies (CAMS) 2021, Desire Paths

Submissions from 2020

Seth Calvin, Cinema and Media Studies (CAMS) 2020, Ebb and Flow

Sergio R. Demara, Cinema and Media Studies (CAMS) 2020, Altar for a Future Love

Zane Grinde, Cinema and Media Studies (CAMS) 2020, Anoka

Emily (Pilot) Irwin, Cinema and Media Studies (CAMS) 2020, Play Among the Stars

Cecilia Kryzda, Cinema and Media Studies (CAMS) 2020, Expanded Form, Enhanced Body: Cyborg as Multimedia Metaphor in the Oeuvres of Janelle Monáe and Björk

Chris Lasch, Cinema and Media Studies (CAMS) 2020, The Piraiba

Mo McConnell, Cinema and Media Studies (CAMS) 2020, Nakano

Sam Miles, Cinema and Media Studies (CAMS) 2020, The Presence of Absence

Maddy Prins, Cinema and Media Studies (CAMS) 2020, All The Firsts

Ezra Ward-Packard, Cinema and Media Studies (CAMS) 2020, Reclaiming Cinéma Vérité: Searching for Truth in the Contemporary Documentary Landscape

Ryan Wetzel, Cinema and Media Studies (CAMS) 2020, Words Left Behind

Su Lance Xiong, Cinema and Media Studies (CAMS) 2020, Classy or Trashy? “Famous for Being Famous.” Kim Kardashian West and Embodied Celebrity

Fengrui Zhang, Cinema and Media Studies (CAMS) 2020, Search

Submissions from 2019

Lynn Barbera, Cinema and Media Studies (CAMS) 2019, tHiNk again

Michael Bruno, Cinema and Media Studies (CAMS) 2019, The Lonely Hero of Someplace Else

August Ducharme, Cinema and Media Studies (CAMS) 2019, The Maiden: The Savior

Lea Gould, Cinema and Media Studies (CAMS) 2019, Home is where the bird flies.

Ritvik Kar, Cinema and Media Studies (CAMS) 2019, You Are What You Eat

Haley Lunde, Cinema and Media Studies (CAMS) 2019, Wildfire

Akiko E. Nace, Cinema and Media Studies (CAMS) 2019, Umisen, Yamasen

Sarah Nazarino, Cinema and Media Studies (CAMS) 2019, J(oel) NAZARINO

Jonas Sun, Cinema and Media Studies (CAMS) 2019, Be Thy Sight

Lucas Winter, Cinema and Media Studies (CAMS) 2019, Visitor

Submissions from 2018

Griffin Alexander Bolte, Cinema and Media Studies (CAMS) 2018, Must Cop

Jonathan Brian Chow, Cinema and Media Studies (CAMS) 2018, Collected Sounds

Rachel L. Everett, Cinema and Media Studies (CAMS) 2018, Stripped Down

Alexa Layne Feeney, Cinema and Media Studies (CAMS) 2018, In The Flesh

Brendan Austen Layard Friesen, Cinema and Media Studies (CAMS) 2018, Affinity

Audrey J. Kan, Cinema and Media Studies (CAMS) 2018, An Interrogation

Harrison Keithahn, Cinema and Media Studies (CAMS) 2018, About Face: Explorations in Faceless Photography

Alyk Russell Kenlan, Cinema and Media Studies (CAMS) 2018, I'm Still Laughing

Paul Thomas Kirk-Davidoff, Cinema and Media Studies (CAMS) 2018, Strip Mall Nickelodeon: The Video Store in Local Context, 1978-2014

Theo James Morris and Peixuan Ouyang, Cinema and Media Studies (CAMS) 2018, Analog of the Between

Kayla Rose Rudess, Cinema and Media Studies (CAMS) 2018, Bloom Where You're Planted

Lucy Kepford Stevens, Cinema and Media Studies (CAMS) 2018, In My Pocket

Claire H. Tan, Cinema and Media Studies (CAMS) 2018, The State of Captivity

Terence W. Taylor, Cinema and Media Studies (CAMS) 2018, Shattered Memories

Michael Vue, Cinema and Media Studies (CAMS) 2018, Txiv Neeb - Shaman

Alexander Theodore Walker, Cinema and Media Studies (CAMS) 2018, On Christmas Morning I Woke Up to a Blizzard

Eddy Zaragoza, Cinema and Media Studies (CAMS) 2018, Fra,le

Submissions from 2017

Joshua Benjamin Creel, Cinema and Media Studies (CAMS) 2017, The Enemy's Enemy

Madilyn Emenheiser, Cinema and Media Studies (CAMS) 2017, The Social Horror Cycle in American Cinema

Zizi Li, Cinema and Media Studies (CAMS) 2017, Theorizing Instagram: Ontology, Epistemology, Aesthetics

Alison Marie Reilly, Cinema and Media Studies (CAMS) 2017, The Devil's West

Robert Joseph Volpendesta, Cinema and Media Studies (CAMS) 2017, Licorice Beach

Submissions from 2016

Jonah Castaneda Barry, Cinema and Media Studies (CAMS) 2016, John: The Day In The Life

Grace Kelsey Davis, Cinema and Media Studies (CAMS) 2016, Rhoda the Beautiful: Negotiating Gender and Proper Femininity in Television Sitcoms, Mary Tyler Moore (1970-1977) and Rhoda (1974-1978)

Lily Marie Eisenthal, Cinema and Media Studies (CAMS) 2016, Excess and a Radical Feminine Aesthetic in Daisies and Fruit of Paradise

Veronica Garcia, Cinema and Media Studies (CAMS) 2016, Casa, Home, Leaving

Nora Johnson Gregor and Jackson Hudgins, Cinema and Media Studies (CAMS) 2016, The Church That Jesse Built

Russell Anthony Hanson, Cinema and Media Studies (CAMS) 2016, No Boundaries

Theresa M. Heitz, Cinema and Media Studies (CAMS) 2016, We Call Each Other Sister: Melodrama, Ideology, and Women's Bodies in Orphan Black

Emma Frances Hughes, Cinema and Media Studies (CAMS) 2016, The New Global West: Redefining the Borders of Genre in the Post-Revisionist Western