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Submissions from 2018

Griffin Alexander Bolte, Must Cop, 2018, Cinema and Media Studies (CAMS)

Jonathan Brian Chow, Collected Sounds, 2018, Cinema and Media Studies (CAMS)

Rachel L. Everett, Stripped Down, 2018, Cinema and Media Studies (CAMS)

Alexa Layne Feeney, In The Flesh, 2018, Cinema and Media Studies (CAMS)

Brendan Austen Layard Friesen, Affinity, 2018, Cinema and Media Studies (CAMS)

Audrey J. Kan, An Interrogation, 2018, Cinema and Media Studies (CAMS)

Harrison Keithahn, About Face: Explorations in Faceless Photography, 2018, Cinema and Media Studies (CAMS)

Alyk Russell Kenlan, I'm Still Laughing, 2018, Cinema and Media Studies (CAMS)

Paul Thomas Kirk-Davidoff, Strip Mall Nickelodeon: The Video Store in Local Context, 1978-2014, 2018, Cinema and Media Studies (CAMS)

Theo James Morris and Peixuan Ouyang, Analog of the Between, 2018, Cinema and Media Studies (CAMS)

Kayla Rose Rudess, Bloom Where You're Planted, 2018, Cinema and Media Studies (CAMS)

Lucy Kepford Stevens, In My Pocket, 2018, Cinema and Media Studies (CAMS)

Claire H. Tan, The State of Captivity, 2018, Cinema and Media Studies (CAMS)

Terence W. Taylor, Shattered Memories, 2018, Cinema and Media Studies (CAMS)

Michael Vue, Txiv Neeb - Shaman, 2018, Cinema and Media Studies (CAMS)

Alexander Theodore Walker, On Christmas Morning I Woke Up to a Blizzard, 2018, Cinema and Media Studies (CAMS)

Eddy Zaragoza, Fra;le, 2018, Cinema and Media Studies (CAMS)

Submissions from 2017

Joshua Benjamin Creel, The Enemy's Enemy, 2017, Cinema and Media Studies (CAMS)

Madilyn Emenheiser, The Social Horror Cycle in American Cinema, 2017, Cinema and Media Studies (CAMS)

Zizi Li, Theorizing Instagram: Ontology, Epistemology, Aesthetics, 2017, Cinema and Media Studies (CAMS)

Alison Marie Reilly, The Devil's West, 2017, Cinema and Media Studies (CAMS)

Robert Joseph Volpendesta, Licorice Beach, 2017, Cinema and Media Studies (CAMS)

Submissions from 2016

Jonah Castaneda Barry, John: The Day In The Life, 2016, Cinema and Media Studies (CAMS)

Grace Kelsey Davis, Rhoda the Beautiful: Negotiating Gender and Proper Femininity in Television Sitcoms, Mary Tyler Moore (1970-1977) and Rhoda (1974-1978), 2016, Cinema and Media Studies (CAMS)

Lily Marie Eisenthal, Excess and a Radical Feminine Aesthetic in Daisies and Fruit of Paradise, 2016, Cinema and Media Studies (CAMS)

Veronica Garcia, Casa, Home, Leaving, 2016, Cinema and Media Studies (CAMS)

Nora Johnson Gregor and Jackson Hudgins, The Church That Jesse Built, 2016, Cinema and Media Studies (CAMS)

Russell Anthony Hanson, No Boundaries, 2016, Cinema and Media Studies (CAMS)

Theresa M. Heitz, We Call Each Other Sister: Melodrama, Ideology, and Women's Bodies in Orphan Black, 2016, Cinema and Media Studies (CAMS)

Emma Frances Hughes, The New Global West: Redefining the Borders of Genre in the Post-Revisionist Western, 2016, Cinema and Media Studies (CAMS)

Henry Dillon Maler, A Small Revolution: Reconstructing A National Identity in Post-Financial Crisis Greek Cinema, 2016, Cinema and Media Studies (CAMS)

Shaylin Fay Nguyen, The Travelogue Meets The Diary Film in Change of Course, 2016, Cinema and Media Studies (CAMS)

Aaron W. Sala and Vincent DeZutti, Cornered, 2016, Cinema and Media Studies (CAMS)

Hannah Elizabeth Sanchez, Unapologetically Me, 2016, Cinema and Media Studies (CAMS)

Jack Christopher Turzillo, Hunk, 2016, Cinema and Media Studies (CAMS)

Submissions from 2015

Francina Raye Block, Clearwater, 2015, Cinema and Media Studies (CAMS)

Connor Pierce Einarsen, ARIADNE, 2015, Cinema and Media Studies (CAMS)

Jhernie Ho'onani Punahele Evangelista, Haku: A Short Experimental Documentary, 2015, Cinema and Media Studies (CAMS)

Brit Kamara Fryer, trans·ience, 2015, Cinema and Media Studies (CAMS)

Charlotte Ruth Harris, Made From Paste, 2015, Cinema and Media Studies (CAMS)

Jonathon Liou, Reimagining the Disney Melodrama, 2015, Cinema and Media Studies (CAMS)

Vivian McNaughton, Trevor & Janeson's Cool Learnings: Sherlock Holmes Through The Ages, 2015, Cinema and Media Studies (CAMS)

Richard Jordan Palacios, un(masc)ing desire: navigating gender desire on gay social media, 2015, Cinema and Media Studies (CAMS)

Lucas Reppe, Stordahl Church, 2015, Cinema and Media Studies (CAMS)

Brendan Macklin Richard, Lucrecia Martel: An Accusatory Cinema, 2015, Cinema and Media Studies (CAMS)

Haley Marina Ryan, b l v t, 2015, Cinema and Media Studies (CAMS)

Rebecca Anne Stimson, The Showrunner: Hannibal and the Question of Television Authorship, 2015, Cinema and Media Studies (CAMS)

Ken Wang, Diary; Fragments; Eulogy, 2015, Cinema and Media Studies (CAMS)

Ashanti Raheem Wavy-Soldier, Voice, 2015, Cinema and Media Studies (CAMS)

Christopher Todd Williams, Kickin It With Big J, 2015, Cinema and Media Studies (CAMS)

Robert Sanford Yeagle, España Reimagined, 2015, Cinema and Media Studies (CAMS)

Submissions from 2014

Isaac Artin Burns and Simon Emilio Lansberg-Rodriguez, Out Of Commission, 2014, Cinema and Media Studies (CAMS)

Adrian Charles Carpenter, Recoil, 2014, Cinema and Media Studies (CAMS)

Zoe Katarina Cohen, A Few Weeks Ago When I Was Younger, 2014, Cinema and Media Studies (CAMS)

Giancarlo Salvatore Danno, ... Del Fuego: Razing Cthulu, 2014, Cinema and Media Studies (CAMS)

Max Felderman and Nona Schamus, Some Nights Are Better, 2014, Cinema and Media Studies (CAMS)

Felicity x Mary Flesher, COLT, 2014, Cinema and Media Studies (CAMS)

Diana Mary Fraser, Mainstreamed Marginals: A New Cycle in Romantic Comedy & "The Little Things", 2014, Cinema and Media Studies (CAMS)

Griffin Johnson, Get Your Anthropocene On, 2014, Cinema and Media Studies (CAMS)

Woody Kaine, The Low Place, 2014, Cinema and Media Studies (CAMS)

Tanwaporn Watanaporn Ohl, This is Leech Lake, 2014, Cinema and Media Studies (CAMS)

Ashley Victoria Shaw, A Day In Memory, 2014, Cinema and Media Studies (CAMS)

Hannah White, Picture Start, 2014, Cinema and Media Studies (CAMS)

Submissions from 2013

Christopher David David Baur, Arb Sonics, 2013, Cinema and Media Studies (CAMS)

Linnea Monroe Bullion, ... AND FOR A MOMENT, TIME STOPS, 2013, Cinema and Media Studies (CAMS)

Jack R. R. Davis, I am an Aspiring Actor, 2013, Cinema and Media Studies (CAMS)

Joseph Daniel Fishman and Matthew Benjamin Spevack, A White Suit, 2013, Cinema and Media Studies (CAMS)

Daisuke Kenneth Kenneth Kawachi, Self Sacrifice and Sexuality in the Cinema of Lars Von Treir, 2013, Cinema and Media Studies (CAMS)

Edith Elizabeth Elizabeth Lee, The Quality of Reality, 2013, Cinema and Media Studies (CAMS)

Kyle Samuel Samuel Markwalter, Fathers of Cinema: Catholicism in Capra, Scorsese, and Coppola, 2013, Cinema and Media Studies (CAMS)

Daniel Pierce Pierce McAlister, Zeke's Quest, 2013, Cinema and Media Studies (CAMS)

Madeline C. Muzzi, The Place of Craft, 2013, Cinema and Media Studies (CAMS)

Lucy Essumanba Essumanba Quagraine, Ghana For Real, the Familiar, Unfamiliar Place, 2013, Cinema and Media Studies (CAMS)

Henry Rownd, You Are There! . . . as a Tessering, Morphing Hyperbody: The Viewer in Contemporary 3D, CGI, and Ridefilm Technologies, 2013, Cinema and Media Studies (CAMS)

Richard Tovar, Come With Me, 2013, Cinema and Media Studies (CAMS)

Katharine Hennessy Walton, Stand Apart, 2013, Cinema and Media Studies (CAMS)

Submissions from 2012

Josiah Tate Burns, CAMS comps 2012: Sun/Moon in Xiao Cheng Zhi Chun [essay]; Shangrila [video], 2012, Cinema and Media Studies (CAMS)

Robert Daniels, CAMS comps 2012: "I'm A Cyborg But That's Okay" Analysis [essay]; The Stranger [film], 2012, Cinema and Media Studies (CAMS)

Sam Robert Ondich Dunnewold, CAMS comps 2012: Before and After Asphalt [essay]; The Incredible Owlbear [video], 2012, Cinema and Media Studies (CAMS)

Jonathan Scofield Hughes, CAMS comps 2012: The Happiness of the Katakuris [essay]; Iron Mountain [project], 2012, Cinema and Media Studies (CAMS)

Hannah Neora Blum Jensen, CAMS comps 2012: Mistaken Identity? The Fabrication of Truth in The Lady from Shanghai and the Star Image of Rita Hayworth [essay]; Last [video], 2012, Cinema and Media Studies (CAMS)

Kaitlin Elena Elena Randolph, CAMS Comps 2012: A Carefully Conceived Sunrise (essay); One Bench (video), 2012, Cinema and Media Studies (CAMS)

Anna Lynn Lynn Swanson, CAMS comps 2012: Mono No Aware // Awareness: Perception of the Ephemeral in Bill Viola's Hatsu-yume [essay]; when you wish upon a star [film], 2012, Cinema and Media Studies (CAMS)

Johanna Marie Marie Williams, CAMS comps 2012: Cleaning up America [essay] ; Uncharted Territories [video], 2012, Cinema and Media Studies (CAMS)

Margaret Mackenzie Mackenzie Zimmer, CAMS comps 2012: Self-Reflexivity through Form and Character in "Broken Embraces" [essay]; Branded [installation], 2012, Cinema and Media Studies (CAMS)

Submissions from 2011

Paul Maple Carpenter, All Ears, 2011, Cinema and Media Studies (CAMS)

Alexander Slocum Carruthers, David O. Selznick and Alfred Hitchcock: The Industrial Model of Authorship, 2011, Cinema and Media Studies (CAMS)

Megan E. Hafner, Beyond the Hype: Thoughts on Food in Northfield, Minnesota, 2011, Cinema and Media Studies (CAMS)

Sung Hyo Kim, Tokyo Drifter(film analysis), Absence and Imagination(research paper), 2011, Cinema and Media Studies (CAMS)

Timothy James Mulso, Drink Responsibly, 2011, Cinema and Media Studies (CAMS)

Samuel Jenkins Scherf, Feeling Future, 2011, Cinema and Media Studies (CAMS)

Jameson Timothy Siegert, Callahan, 2011, Cinema and Media Studies (CAMS)

Max Joseph Silver, Chair, 2011, Cinema and Media Studies (CAMS)

Rachel Elizabeth Sklar, Perfect Goulash, 2011, Cinema and Media Studies (CAMS)

Allison Helen Sterling, I'm No Longer That Girl: Film Noir's Influence on the Construction of Alternative Girlhood in Veronica Mars, 2011, Cinema and Media Studies (CAMS)

Andreas Orson Stoehr, Gender, Sympathy, and the "Monstrous Hero" in the American Horror Film, 2011, Cinema and Media Studies (CAMS)

Kate Trenerry, Rephotographing the Iron Curtain, 2011, Cinema and Media Studies (CAMS)

Mateo Felipe Trujillo, The Sons of the Inheritance: Part 1 - The Will of Fire, 2011, Cinema and Media Studies (CAMS)

Allyson Fawcett Weaver, Star Gazing: A close look at Olivia de Havilland and star contracts in the height of studio era Hollywood, 2011, Cinema and Media Studies (CAMS)

Cathleen Dyer Wolf, Meet Street View: Theorizing Google Street View, 2011, Cinema and Media Studies (CAMS)