Type

Article

Keywords

Koreans in Japan; Japanese cinema; Japanese theatre; Kim Sujin; Shinjuku Ryozanpaku

Abstract

The plays and films of Kim Sujin (1954– ) and his company Shinjuku Ryozanpaku attest to the variety of styles employed in recent works by resident Korean artists in Japanese literature and theatre. The appearance of his plays and films is connected to the changing identities of resident Koreans, especially since the 1980s. Kim makes use of political theatre performances of the earlier period to magnify and to remake into art the experiences of resident Koreans in Japan. As such, his works mobilize the legacy of his antecedents in Japanese theatre as well as the past experiences of resident Koreans. Instead of enacting an essential Korean ethnicity or culture onstage or through films, Kim inclines toward denoting migration, hybridity and being situated as betwixt and between. By doing so, his works depict the distinct niche occupied by resident Koreans in Japan, which distinguishes them from both the Koreans on the mainland and the Japanese.

Language

English

Department(s)

Asian Studies

Journal or Book Title

Journal of Japanese & Korean Cinema

Publication Year

2009

Publisher

Intellect Ltd.

Rights Management

Carleton College does not own the copyright to this work and the work is available through the Carleton College Library following the original publisher policies regarding self-archiving. For more information on the copyright status of this work, refer to the current copyright holder.

RoMEO Color

Green

Preprint Archiving

Yes

Postprint Archiving

Yes

Publisher PDF Archiving

No

Contributing Organization

Carleton College

Format

application/pdf

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