Submissions from 2019
Marly Schrom, Russia’s Late-Night Vecherniĭ Urgant : How Does Humor Convey Russian Values and Pro-Kremlin Discourse?, 2019, Russian (RUSS)
Submissions from 2017
Jacob Robert Gunderson, Der Diktator und der Schriftsteller: Eine Analyse der Beziehung zwischen Stalin und Brecht durch Politik und Theater, 2017, German (GERM)
Submissions from 2014
Jacob Scott Hoerger, Hamlet. Act 0, 2014, Russian (RUSS)
Submissions from 2013
Danielle Alyssa Bennon, Sophia Catherine Davis, and Michael Mandelkorn, Translation and Exploration: Buryat Cultural History through the Lense of Geser, 2013, Russian (RUSS)
Tamarae Marie Hildebrandt, For Better or Worse in Turn-of-the-Century Vienna, 2013, German (GERM)
Submissions from 2010
Tigan Michelle Harrison, Battle of the Cold War Spies: A comparison of the espionage genre in literary and cinematic works within British and Russian cultures, 2010, Russian (RUSS)
Submissions from 2009
Kevin Kensler, Aleksandr Vampilov's Last summer in Chulimsk: beyond the bounds of Chekhov, 2009, Russian (RUSS)
Brian Mason, Oligarkhi: the development of a new cultural concept in post-Soviet Russia, 2009, Russian (RUSS)
